He is not very bright, as we see in the way he becomes involved with Claudius.  He was quite spoiled by Polonius, and by his wealthy upbringing, so he is dependent on an older man for guidance.  He is superficial and impulsive, he lacks maturity, and he lacks a solid grounding in morality.
 
He is not very bright, as we see in the way he becomes involved with Claudius.  He was quite spoiled by Polonius, and by his wealthy upbringing, so he is dependent on an older man for guidance.  He is superficial and impulsive, he lacks maturity, and he lacks a solid grounding in morality.
   −
By occupation, he is some kind of King's servant.  We know that because he requires King Claudius's permission to leave.  It's easy to guess that his father, the King's chief council, has gotten him a government job, (with a government paycheck,) perhaps as an aide to Polonius, himself.  Nepotism is fine as long as you keep it in the family.
+
By occupation, he is some kind of King's servant.  We know that because he requires King Claudius's permission to leave.  It's easy to guess that his father, the King's chief council, has gotten him a government job, (with a government paycheck,) perhaps as an aide to Polonius, himself.  Nepotism is fine as long as you keep it in the family, as the old saying goes.
    
A point to note is that Laertes is ''not'' returning to Paris to attend school.  In those days, and probably still for all I know, young aristocrats were sent abroad to further their educations by immersion in other cultures.  Laertes is immersing himself in things French (more than his father suspects is desirable.)
 
A point to note is that Laertes is ''not'' returning to Paris to attend school.  In those days, and probably still for all I know, young aristocrats were sent abroad to further their educations by immersion in other cultures.  Laertes is immersing himself in things French (more than his father suspects is desirable.)
 
* <b>Costume</b> - There is reference to beards in the play, so if he wears a beard it should be in the style an audience could see as French.  He will have adopted French styles, from living there.  An English audience could see a goatee as French, and a goatee is the stereotypical beard style of both the god Pan, and Satan.  Laertes is both oversexed (as Pan is understood to be) and also satanic (in that he conspires to commit the murder of the play's hero, and does so.)  It points to the goatee as the correct beard style for Laertes.  It must not be too full a beard, since he's young.
 
* <b>Costume</b> - There is reference to beards in the play, so if he wears a beard it should be in the style an audience could see as French.  He will have adopted French styles, from living there.  An English audience could see a goatee as French, and a goatee is the stereotypical beard style of both the god Pan, and Satan.  Laertes is both oversexed (as Pan is understood to be) and also satanic (in that he conspires to commit the murder of the play's hero, and does so.)  It points to the goatee as the correct beard style for Laertes.  It must not be too full a beard, since he's young.
   −
His costuming should be in the French manner, and loud, too flamboyant for his father at least.  We know that from express statements in the dialogue, in Scene 3, where Polonius tells Laertes he should dress more conservatively.
+
His costuming should be in the French manner, and loud, too flamboyant for his father at least.  We know that from express statements in the dialogue, in Scene 3, where Polonius tells Laertes he should dress more conservatively.  So, his costuming should be flashy in Scene 3, but more subdued later in the play.  In the Graveyard Scene, Scene 19, he should, of course, be dressed in mourning clothes.
    
===Name===
 
===Name===
 
Significant lines spoken by Laertes:
 
Significant lines spoken by Laertes:
    +
[[Scene 2#052]]  ''Your leave and favor to return to France,'' - His departure for France, and later return, are key events in the flow of the story.
 +
 +
[[Scene 16#138]]  ''Let come what comes, only I'll be revenged'' - His desire for revenge gives the major push toward the play's conclusion.
 +
 +
[[Scene 18#152]]  ''Laertes:  I will do it,'' - He agrees to participate in Claudius's murder plot, and unknowingly seals his own fate.
 +
 +
[[Scene 20#319]]  ''I can no more; the King, the King's to blame!'' - He provides direct testimony against Claudius for the death of the Queen.
    
===Themes and Motifs===
 
===Themes and Motifs===
 
Those most immediately relevant to Laertes's character and dialogue:
 
Those most immediately relevant to Laertes's character and dialogue:
   −
Revenge, Death, Madness and Putting on a Show.
+
[[Revenge]], [[Death]], [[Madness]] and [[Putting on a Show]].
  
Fatal error: Uncaught TypeError: MWExceptionHandler::report(): Argument #1 ($e) must be of type Exception, Error given, called in /home/public/hamletwiki/includes/Exception.php on line 678 and defined in /home/public/hamletwiki/includes/Exception.php:598 Stack trace: #0 /home/public/hamletwiki/includes/Exception.php(678): MWExceptionHandler::report(Object(Error)) #1 [internal function]: MWExceptionHandler::handle(Object(Error)) #2 {main} thrown in /home/public/hamletwiki/includes/Exception.php on line 598